Simple pricing. Keep what you earn.

Streaming services do not take music directly from artists. They work through distributors. A distributor takes your finished recording, formats it to each store's specification, delivers it, and collects what it earns on your behalf. That is the whole job, and it is the reason you do not need a record label to be on Spotify. With One Side Global the steps are: finish and master your track, create a release with your audio, artwork and credits, submit it for review, and we deliver it to every store on your plan.

Any artist, at any stage, in any genre. There is no application to pass, no catalogue minimum and no invitation required. Every plan is open to anyone. The plans are built around where you are rather than who you know: Artist is for getting your music out properly, Artist Pro adds the tools for building an audience once you have listeners, and Artist Elite is for artists running their music as a business.

All three distribute to 200+ platforms, include unlimited releases and leave your releases live if you cancel. Artist at $19.99 a year covers distribution and streaming analytics, and you keep 100% of what it earns. Artist Pro at $39.99 adds advanced audience insights, smart links and presave pages, priority support, and marketing campaigns we plan, buy and run. Artist Elite at $79.99 adds priority release review, trend and catalogue reporting, an annual strategy call and a larger marketing commitment. On both, we take a share on the releases we market. The split for each is in our Terms of Use.

No. You keep 100% of what the stores pay for your recordings, on every plan, marketed or not. Artist Pro and Artist Elite include marketing campaigns we run and pay for, and in return we take a share on the releases we market. What that share is, and everything else we take, is set out in our Terms of Use.

A share on the releases we actually market, set out in our Terms of Use. Your master royalties are not touched. We do not take ownership of your recordings or your songs, and we do not ask for exclusivity. The share lasts 10 years from the release date, followed by a 10 year retention period, 20 years in total. It applies to only the releases we market for you, not your back catalogue, and not releases we did not run a campaign on. Running Meta and Google ad campaigns costs real money, and this is how that gets paid for instead of charging you upfront.

Meta, Google, Instagram, TikTok and YouTube ad campaigns, Spotify playlist pitching, Campaign strategy and setup. We plan the campaign, we buy the ads and we run them. You do not pay for the ad spend and you do not have to find an agency. What we cannot do is promise a result: no one can guarantee streams, playlist placements or chart positions, and anyone who does is selling you something.

Because a free plan is not free. It is paid for with a slice of your streaming royalties, usually around 10 to 15%, taken from money you would have received anyway. For anyone whose music does well, that costs far more than a yearly fee. We would rather charge a flat price and leave your master royalties whole.

It stays live on every store, and it keeps earning. You will not be able to submit new releases until you resubscribe, but nothing already out there comes down. You will not lose your catalogue for missing a renewal.

Yes, entirely. Distribution is a service we provide, not a transfer of rights. Nothing in signing up gives us ownership of your recordings or your compositions.

No. Every plan includes unlimited singles, EPs and albums, with no charge per release and no charge to keep older releases online.

Lossless audio as FLAC, 16 bit or 24 bit at 44.1 kHz or higher, and square cover art of at least 3000 × 3000 pixels in RGB, under 10 MB. Artwork cannot contain store logos, prices, URLs or social handles, because stores reject those. We check all of this before anything is delivered.

Yes. Before anything is sent to stores, a reviewer checks the audio, the artwork, the metadata and the rights declarations against each store's requirements. Most rejected deliveries fail on artwork resolution or audio format, and both are catchable before submission rather than after.

One flat fee for the year, and that fee covers everything on your plan. Nothing is charged per release, nothing is charged per platform, and there is no fee to leave. If you decide not to renew, all you lose is the ability to submit new releases. Everything already out stays live and keeps earning.

Yes, at any time. Moving up takes effect straight away and we credit the unused part of what you have already paid against the new plan, so you are never charged twice for the same period. Moving down takes effect at your next renewal, and you keep the higher plan until then rather than losing features you have paid for. Any share on releases we have already marketed carries on as agreed at the time. Changing plan does not change a deal already done, in either direction.

Yes, $50. Once your earnings reach $50 you can withdraw them at any time, and anything below that keeps accruing until it gets there. The threshold exists because moving money costs money: paying out a balance of two dollars can cost more in transfer fees than the balance itself.

We finish reviewing it and deliver it. You paid for the year, and pulling a release out of the queue because a renewal lapsed is exactly the behaviour we built this to avoid. It goes to the stores as normal and stays live afterwards. If it had already been accepted for a marketing campaign, that campaign still runs and its revenue share applies as agreed.

Email support@onesideglobaldistro.com and a person will answer. There is no ticket maze and no bot to get past. If a release is stuck, a store is showing the wrong information, or a payout has not arrived, that is the address to use. Tell us the release title and what you are seeing, and we will chase it.